learning

Spring Summer 2019 Season Launch

We launch our Spring Summer 2019 season with another exciting concert series, featuring emerging musicians to artists whose family musical history spans five centuries, with everything from Sitar and Sufi devotional music to a re-imagined String Quartet.


This season we have a special focus on dance, showcasing incredible commissions and performances that tell those untold stories. Crackle.Dust. by Company of Others, is an unveiling of women’s resilience, inspired by women of the North. Jaivant Patel’s YAATRA shares a fresh perspective on South Asian LGBTQ+ narratives, faith and spirituality; and A Thousand Faces blends Kathak dance with physical theatre and mime, subverting the imagery of Bollywood beauty and Hollywood glamour to explore the objectification of women.

For young people and families, February welcomes the return of our popular half term Mini Mela event in Gateshead, with FREE, family arts workshops including Steel Pans, Bollywood Dancing, Chinese Arts, Persian Calligraphy and more. Come along and create your own artwork to take home.

Our work with young people around the region continues with diverse arts workshops in schools and communities across the region, working with pupils of all ages and abilities.

We are very proud of our young Syrian musicians, part of our EbNE project, who have been commissioned for Poetry Despite, Music Despite, part of Aaron Hughes work for BALTIC Artists’ Award 2019. Creating their own poetry and songs as a re-imagining of Wilfred Owen’s poetry using their own experiences of war, belonging and home,  they will perform at BALTIC early February.

In April, we celebrate the culmination of our East by North East youth music project with a performance event at Sage Gateshead, recognising the achievements and talents of 170 young people from across Newcastle and Gateshead who take part in our weekly music sessions.

To find out more about our upcoming programme scroll down, and to see our full Spring Summer 2019 season visit www.gemarts.org or download your copy of the brochure here: GemArts Spring Summer 2019 brochure.

Also watch out for Masala Festival updates. Masala Festival 2019 returns from July 15 – 21st.

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Merry Christmas from GemArts

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The end of the year is always a time for reflection, and across GemArts performance and participation programme, we are reminded of all of the wonderful artists, communities, audiences, volunteers, partners and funders we have worked with in 2018.  We would like to thank every one of them for continuing to support our work in so many ways.
 
Although each and every performance and project has their highlights, we have picked a few below to show some of the work we have done this year. I hope you enjoy looking back at GemArts 2018 year, where we have supported the best and brightest artistic talent, both emerging and established artists from the UK and abroad; continued to champion creativity and diversity; and have offered unique cultural experiences, to people of all ages and backgrounds, enabling exceptional opportunities to participate in diverse music, dance, literature and visual arts.
 

Masala Festival – following last year’s Journal Culture Arts Council Award win, we were proud to be a finalist this year for the Best Event Tyneside for Masala Festival, which returned for the third time in 2018 and celebrated an outstanding selection of artists and producers from the North of England, a fantastic range of South Asian art forms from poetry, dance and film to jazz and classical music, family fun days to amazing new visual arts commissions, including a new sculpture created by robotic arm! Keep an eye out for Masala Festival 2019!

 

GemArts Riverside Ragas continues to present the very best of raag based music concerts alongside informative pre-concert talks, masterclasses and demonstrations. 2018 featured some of the finest musicians from the UK and India: Shreya Devnath, Arnab Chakrabarty with Talvin Singh, Shashank Subramanyam, ONE (ensemble of Vainikas), Purbayan Chaterjee with Gurdain Rayatt, Jasdeep Singh Degun and ended with an incredible premier of Simon Thacker’s Svara Kanti’s new album Trikala. We have an incredible line up for you in Spring Summer 2019 check out our website for our programme announcement early January.

Every year we work with thousands of people on participatory projects, making diverse arts opportunities accessible to all. In April this year, we worked alongside  Durham County Council and schools across Durham, Stockton and Hartlepool, to mark the Commonwealth Heads of Government Meeting, delivering cultural arts activities that celebrated the 53 nations, including Steel Pans, Indian Dance, Sri Lankan, Indian and Malaysian visual arts, African Drumming and Storytelling. On the 25th April, 1000 young people processed through Durham city centre to the cathedral to take part in a special service to mark the event.

In the centenary year of the Representation of the People Act, GemArts were invited to be part of PROCESSIONS, a UK-wide mass participation artwork to mark 100 years of women’s suffrage, produced by Artichoke and commissioned by 14-18 NOW, based on an idea by Darrell Vydelingum.

Our Feel Good group created a banner that represented what the vote means to them, what it is like being a women in the UK today, highlighting their past, present and their hopes for the future. On 10th of June, the group processed through Edinburgh, proudly showcasing their banner, with thousands of other women and girls across the UK. Wearing either green, white or violet, the colours of the suffragette movement, the PROCESSIONS appeared as a flowing river of colour through the city streets.

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October saw the launch of our new film #endmatecrime for National Hate Crime week. The film was made by participants from The Gateshead Housing Company’s customer led Equality, Diversity and Inclusion Group and charity Changing Lives. Through creative arts sessions, working with our artist Tommy Anderson, participants created a series of hard hitting artwork, that have been designed into postcards, a poster and an animation film featuring real-life personal stories of victims of mate crime in Gateshead. You can watch the film here.


Our Arts, Health and Wellbeing strand continues to work with communities across Gateshead and Newcastle using creative engagement to address isolation and loneliness. This year we have worked alongside Gateshead Council to embed the Making Every Contact Count (MECC) approach, offering training to artists, staff and volunteers to support our creative practise.

Our flagship East by North East youth music project, now in it’s 5th year, engages with 177 young people on a weekly basis. Young people from diverse communities, living in challenging circumstances, take part in a wide range of musical genres. The project is committed to supporting a diverse music workforce ensuring gender equality across the programme.

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You can find out more about our work on our website www.gemarts.org

On behalf of everyone at GemArts and GVEMSG, we would like to thank you for your continued support, and wish you a very Merry Christmas, and all the best for a happy, healthy and peaceful New Year.

 

GemArts East by North East – Blog by music leader Kay Grayson (Nov 2018)

Here is a blog by Kay Grayson, who is one of our music leaders on GemArts’ Youth Music funded East by North East project. Kay’s blog gives a fascinating snap shot of her own amazing journey as a female rapper, and how she has used her skills through the project to support young women to develop their musical talent and confidence.

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As a rapper, I have been performing around the UK for nearly nine years as well as writing, mixing and mastering my own music including my underground 2016 mixtape ‘Morning After Music’. Now I am working with producer Suski to release my first EP and hopefully will continue performing across the country.

Alongside this I have been working with GemArts as a music leader. I started as a volunteer for Chat Trust: The Base, which is a project I attended from twelve years old and where I learned to use studio equipment. As a volunteer working with the girls group I found a passion for supporting young people with their creative interests and after a year I became a worker on the EBNE project.

The girls, that myself and the other music leaders have been working with, have faced many obstacles in their lives when it comes to wanting to create their own music, for example, English is not the first language for many of them which can add difficulty when it comes to writing music, and also create a lack of confidence, which is something they all struggled with at first.

Over time I have watched the girls become confident and competent musicians through their dedication and willingness to learn. They have gone from not wanting to sing in front of the microphone to learning to deliver their own raps in the studio and even showing an interest in how the studio works. Musically this has inspired me, and helping them to write and record has helped to develop my skills in both these areas. It is easy to write a rap when it is me alone, but it was altogether a new challenge to help someone else speak about their experiences in a group of four or five of their friends.

My favourite thing about the sessions is that they create a safe space for young people who live in areas where there may not be many opportunities available to them. As a female rapper I have faced barriers due to my gender and therefore know that it is invaluable to a young person’s confidence to be free to try things without fear of judgement. The openness of the sessions proves to the young people that music can be used as a tool to bring people together and promotes a positive message of diversity and acceptance.

East by North East is a Youth Music funded project led by GemArts. Building on the success of previous projects, during this third phase, we have expanded the prorgramme to provide more opportunities for professional musicians and young people living in challenging circumstances from BAMER and wider communities across Newcastle and Gateshead to work with one another, sustaining high quality music making regionally, and addressing community needs and issues.  A key element of the programme is to further diversify the music skills and workforce of music practitioners in the North East through offering CPD, training, peer to peer development and mentoring.

https://gemarts.org/projects/116/east-by-north-east

 

 

GemArts East by North East – Blog by music leader Izzy Finch (Nov 2018)

Here is a blog by Izzy Finch, who is one of our music leaders on GemArts’ Youth Music funded East by North East music project.  Izzy gives fantastic insight into working with young people from Syrian communities living in Gateshead to develop their musical and life skills, whilst providing a safe space for young people’s voices to be heard, develop leadership skills and for them to be empowered.   

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As project musicians, Pav and I first developed a relationship with members of this group when they had been in Gateshead less than one year whilst working on GemArts’ Dispersed Belongings project in collaboration with Durham University. Our initial sessions were based around the concept of belonging, identity and feelings of home. The participants had no previous experience of music making and we were working with an interpreter. During those early sessions we talked a lot about identity and I realised that there is a complexity of emotions surrounding belonging for most of the participants as there have been interim homes between Syria and Gateshead. Working on this project has changed my perception of not only belonging, home, identity but the value of music as a tool for discussion.

I am comfortable knowing that over time we created an environment where the participants developed trust and were invested enough to talk in depth about their aspirations for the project and were given a platform to write songs about things that were important to them. I think sometimes there is a fear when working as a music practitioner with marginalised communities that our own agenda/ expectations will interfere with the creative hopes and dreams of young people. We were careful to navigate a balance between guiding and leading, making sure participants were not exploited with the content of what they write about.

One of the first songs the group wrote is titled Syria. The lyrics to the song describe the country as their mother and Aleppo as their blood. It is a love letter to Syria. In the very beginning when we first started working together I facilitated an exercise where participants would describe colours, sounds, sights and smells of home or a significant memory. The group seemed unsure at first but soon everyone was writing in Arabic and absorbed in the task. I hadn’t prepared myself for how emotionally raw the content would be having elicited those feelings. I realised afterwards that I had expected the content to be about dislocated items or events but instead we uncovered that there is still a strong and prevalent sense of belonging to Syria and that this is something that the young people want to share and write about. One member said “I want to deliver a message to the people here about the situation in Syria” and continues to bring new lyrics in each week exploring this.

Sometimes a song idea will begin with a young person showing the group a song they like and we will begin talking about what aspects of that we like and what we will use as inspiration to create an original piece. For one song, we used Eminem- Stan as inspiration, and sampled the sound of rain to evoke emotion and used the structure of Eminem’s hit as a template with Arabic verses poetically describing a lost love and a chorus in English featuring female vocals working as a call and response.

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Our session structure changes depending on the ideas of the young people. Sometimes we all have an instrument and work as a band collectively, and other times we will use a MIDI controller and laptop to make electronic beats that vocalists want to put lyrics and a melody to. Within the current group, there are multiple song writers and the participants are self-motivated when it comes to organising their time within the session. For example, if we worked on one member’s song the previous week, they will talk amongst themselves and decide fairly that it is someone else’s turn to have their song rehearsed. New members are always welcomed and encouraged by the group to suggest ideas or lead a rehearsal. Lyrics are often in Arabic and sometimes have an English chorus with themes around the war in Syria, politics, nostalgia, love, lost love and friendship.

This year the core group are brimming with confidence and creativity. The sessions are very much participant led and we are preparing for a performance in a few months and introducing Arts Award. The group enjoy sharing and communicating their ideas in English, we rarely use the interpreter although sometimes we need one to translate lyrics and help with meaning but I l love that Arabic lyrics are a constant thread in everything we create. If new members come along and are struggling to speak English or understand what we are doing, the group enjoy interpreting and helping each other articulate their ideas.

It is a pleasure to be able to work with these young people and help them achieve self-belief and provide a creative outlet. I feel that this project has demonstrated the capacity Gem Arts have to meet the growing needs of marginalised groups within the North East.

East by North East is a Youth Music funded project led by GemArts. Building on the success of previous projects, during this third phase, we have expanded the prorgramme to provide more opportunities for professional musicians and young people living in challenging circumstances from BAMER and wider communities across Newcastle and Gateshead to work with one another, sustaining high quality music making regionally, and addressing community needs and issues.  A key element of the programme is to further diversify the music skills and workforce of music practitioners in the North East through offering CPD, training, peer to peer development and mentoring.

https://gemarts.org/projects/116/east-by-north-east

GemArts Autumn Winter Season 2018

As the lovely warm weather continues our Autumn Winter Season brochure has arrived and brings an eclectic mix of new commissions, exhibitions, workshops and events to the region for that Indian Summer glow. Download your full brochure here GemArts Autumn Winter 2018 Brochure

Thank you to everyone who came to our Masala Festival in July and made it such a huge success! You still have time to see Sumit Sarkar’s fantastic Everything Nothing Exhibition at Gateshead Central Library on until 2 October, featuring new commissioned work by GemArts, including a new marble sculpture created by a robotic arm!

Sumit Sarkar Image - Anna Miller

Launching our exceptional Riverside Ragas programme this Autumn we have spectacular Sitar players, Purbayan Chatterjee , accompanied by Gurdain Rayatt on Tabla, and rising star Jasdeep Singh Degun presenting groundbreaking sounds from the traditional to the contemporary.

Setting a new benchmark for Indo-Western collaboration, later in the season we are excited to present the official launch performance of GemArts supported, Trilaka epic double album of Simon Thacker’s Svara-Kanti.

 

With something for all the family, you can delight the kids in October half term, with Jungle Book, where you can follow fearless Mowgli’s wild adventures through the jungle with inventive shadow theatre, powerful music and colourful digital projections.

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Marking the festive season, November brings our annual Diwali festival of lights with delicious Indian food and a night of Bollywood and Bhangra Beats, bring your dancing shoes!  Outstanding vocalist Swati Natekar will take you on a musical journey in December with an evening of Ghazals, Thumris and old Bollywood Songs and we have a fantastic opportunity to hear novelist, Preti Taneja, reading from her debut novel We that are Young, a powerful retelling of King Lear set in contemporary New Delhi and winner of the Desmond Elliott Prize 2018.

Celebrating the New Year we welcome star of the future Kaviraj Singh on santoor in January, as part of the exciting New Year, New Artists Festival at Sage Gateshead. Visit our website for more information on this soon.


As always we will be delivering workshops and projects for schools and with community groups over the coming months and launching our new animation to raise awareness of Mate Crime. Projects aim to support equality, promote diversity and tackle inequality. For more information about projects please visit GemArts Projects.

We look forward to seeing you over the coming months. Keep up to date on our news by following us on Facebook and Twitter.

GEMARTS EAST BY NORTH EAST PT 1

East by North East is a Youth Music funded project led by GemArts, providing opportunities for young people from diverse communities to come together and make music.  The project has already enabled over 190 young people to develop and share their compositions and performance skills in a wide range of genres, while addressing issues relevant to their lives, developing life skills and achieving Arts Award.

In addition, GemArts has further diversified the workforce of music practitioners, and East by North East offers training and development to ensure that creativity and diversity is thriving in the North East!

To celebrate the project we’ve asked some of our music leaders to share their thoughts on East by North East, their own development, and the groups they worked with. Read on for our first blog post.

GemArts East by North East Blog by Adam Cogdon, Music Leader

East By North East is a Youth Music funded project that brings together young people, and a staff team, from diverse backgrounds, celebrating different cultures and musical genres.  The music sessions allow us to explore different tastes and develop skills in music and to build confidence together.

Led by GemArts, in partnership with Sage Gateshead and community partners across Newcastle, the project works with a hugely varied and strong team. From the beginning East By North Easy aimed to pair up more experienced music leaders with talented emerging practitioners, to develop and build a diverse resource of delivery staff, spanning creative and cultural diversity as well as musical genres.  From what we learned in the first phase of East by North East, we were able to also expand the project in 2016 to include female groups at many of the centres, this in turn meant we could offer more opportunities to female music leaders to run sessions.

The project partners include:

CHAT Trust (Girls & Boys sessions) – Fenham

North Benwell Youth Project (Girls & Boys sessions) – Benwell

Life Transformational Church (Mixed session) – Fenham

Pottery Bank Pupil Referral Centre (Mixed Session) – Walker

West Walker Family Centre (Mixed Session) – West Walker

Excelsior Academy (Mixed Session) – Scotswood

Success4All (Mixed Group) – Fenham

Recent highlights of the project:

The Mega Boyz group from North Benwell Youth Project were asked to perform at a Holocaust memorial day focusing on the forgotten Czech and Roma people who died.  The young people’s behaviour was excellent and they did a great performance of the Song ‘Mega Boyz Swag’ I was very proud of them.

There was also a great performance from ‘Gipsy Lipstick’ who attend the Girls session at CHAT Trust.  They were quite nervous as it was only their 2nd or 3rd time performing, but I thought they did extremely well! The Lads Band also performed playing their instruments and singing some traditional Czech music.  They were very well rehearsed and sounded very professional.  Both groups were also asked to perform at the same venue a few weeks later at a health awareness day.

CHAT boys band performance  CHAT Boys Band performing

We recently launched a new session as part of the project working with West Walker Family centre, they are referred young people who need a bit of extra support and they take them to various activities.  Young people are already taking part in Djing, Music production and Guitar.  GemArts was chosen to pilot a new Arts Award scheme, called ‘Discover Arts Award in a day’, which we are delivering with the new East by North East group to see if it is something we can use across the whole project.

We have been making great progress at Pottery Bank PRU where traditionally we struggled to get young people to engage and perform. One young lad who had never tried Grime style MCing before but was keen to try it, has been supported by East by North East music leaders to write his own lyrics about his area and the things that go on.  Some of the other group members helped to make the backing music and the Song sounds awesome!  It has really inspired a lot of the group to see what is possible when you try, so I am really pleased with this piece of work.

We also started a new session at Life Transformational Church in the West End, which began in Jan 2017. The participants are mixed gender and range from 2 year olds to teenagers.  The participants are spilt into younger and older groups, each focus on developing Band skills and learning how to play different instruments.

LT Church 1  Life Transformational Church

The Project works with many young people from different backgrounds including, Slovak, Roma, Czech and African.  As well as developing and encouraging musical development the project has also had a positive effect on the participants’ English skills both spoken and written

During the last few months the sessions in the project are now gearing up for the Final Celebration event at Sage Gateshead (12th and 13th April 2017). This is a two day event that celebrates everything achieved throughout the project and brings all the young people from different areas of the city together to make new friends and share their achievements.  Day one will be a day of fun arts based workshops in a different vain from their regular sessions, including Graffiti Arts, Boom Dang group drumming, rehearsal time and other music sessions.  Day two will be an evening performance in the fantastic Sage 2 Hall.  We hosted a similar event in 2015 at the end of the first phase of the project, and it was amazing! The event was well attended by families, friends, partner organisations and local councillors, who all witnessed an exceptional evening of musical talent, fun and very positive young people performing their material.

I know the whole team are looking forward to creating an even better event than last time and giving these young people the platform that they deserve.

Adam Cogdon, EBNE Music Leader

Watch our East by North East 2017 film here

GemArts East by North East 2017 from GemArts on Vimeo.

If you are interested in the project please contact GemArts on 0191 440 4124 or email info@gemarts.org

My week with GemArts

Hello, my name is Hina, I am a student at Joseph Swan Academy. In July 2015 I completed a 1 week placement with GemArts as part of my work experience. While working with GemArts Director, Vikas, and the team, I got to see what goes on behind the scenes at their events and during their other project work.

During my week with GemArts they had an event at the Newcastle Beacon, to celebrate the East by North East project GemArts led which helped young people from Newcastle learn about and create their own music. I helped GemArts Administrator, Jade, make sure there was enough CD/DVDs for the guests, and prepared the room before everyone arrived, making sure that the venue had enough space for the speeches and performances to take place, as well as helping set up the catering and check the sound. We handed out leaflets which included a running order of what would happen during the event. During the event there was a video about the progress young people have made producing their own new music. GemArts also presented some young people with Arts Award certificates which show how much commitment and hard work they had put into the project. Some of the groups also performed their music, which all the guests thoroughly enjoyed. At the end we helped tidy up the venue and had a chat with artists and guests that had attended to say thank you for coming and supporting the event. This opportunity was really interesting because I got to see what goes on behind the scenes of planning events and seeing the types of projects GemArts deliver.

Another interesting part of my work experience week was when I visited GemArts visual arts projects. My first visit was to the project working with a group of young mothers from different backgrounds living in Byker. I went to see this group, who meet up weekly in the Newcastle Byker centre with GemArts’ Project Manager, Alex. The women meet weekly, and work with GemArts artist Emma, learning how to make beautiful artworks using different materials. After seeing this group of women work together it made me think about how art can bring people from different backgrounds and cultures together, where strangers can start to get along like they are old friends. To me it shows how powerful and universal art is, something which I hadn’t previously thought about.

During the rest of my time working for GemArts I learnt how different people had different roles to help maintain the work of the organisation, and how the office runs. GemArts Communications and Development Officer, Sinead, explained how the organisation looks for opportunities and works to increase their audiences and the coverage of their events and projects. Part of this work included updating the school and organisation contacts lists on a database so the team will be able to contact these people about future projects and events.

Overall I really enjoyed my time working for GemArts for my work experience, and I learnt a lot about how they and other groups operate.

Here is a photo of me on a visit to one of GemArts’ secondary school projects holding an Anti Hate Crime posters design created by year 8 pupils.

Post by Hina Khalid

School Anti Hate Crime Project visit

School Anti Hate Crime Project visit

Photo by Nigo Chong The Chinese fox having her wedding

BUTOH

Myth of Butoh

Hi it’s Laichee again,

As well as being an MA student I am also a Butoh dancer, when GemArts discovered this they asked if I would write a piece for the blog explaining a bit about this dance form, so here it is.

I first started learning Butoh in 2009 with Malaysia’s first Butoh company Nyoba Kan. At this time I also learned from an important mentor, Yukio Waguri, a Butoh master from Japan. Yukio Waguri was the main disciple of Butoh founder, Hijikata Tatsumi (1928-1986).

Butoh was founded by Hijikata and Kazuo Ohno after World War II, when Japan was ruined and people started questioning their Japanese identity, resulting in Western culture becoming overly influential. Hijikata wanted to find a “true” dance, one that demonstrates the real identity of the dancers. Hijikata did many experiments before he named this new dance form “Ankoku Butoh” (dance of darkness). Unlike Western Ballet dance, in which the dancers try to dance upward and reach to the sky, Butoh dancers try to move downward to the earth, where they try to find their identity in the inner world.

The spirits suffer in Hell Photo by Royer Wan

The spirits suffer in Hell Photo by Royer Wan

Indeed it is not easy to give a definition of what Butoh is, I always forget exactly how I have explained Butoh right after I have told people about it. I would love to share with you the meaning of Butoh, as written by my dance mentor Mr. Waguri, so please read on and enjoy his thoughts on this art form.

What is Butoh?

By Yukio Waguri

[Translated from original text written in Japanese]

Butoh Master and Choreogrpaher Yukio Waguri by Nigo Chong

The Butoh master and choreographer Yukio Waguri Photo by Nigo Chong

The word of the “Butoh” has come from China. It also appeared in Japanese ancient documents 1,000 years ago. Before that the “Butoh” itself meant foreign culture or entertainment. The “Butoh-kai” held during Meiji period also used in the meaning to express the western culture. Currently, an enormous information network was set up all over the world, and the speed of the international interchange has really changed. Nowadays all of us facing with the overflow of the information, but that is necessity to stop once and consider the meaning of the “Butoh” again.

The character [Bu] of the “Butoh” means to turn/spin, over the mind concentration, it caused a de-soul situation then to let the spirit of god or ancestors or ghost to go into the empty container or human body and make them dance. And for the character “toh”, means step cautiously, jump, while the body absorbed the energy from the earth, the existence of the power to confine the bad soul of the underground. Also for the liberation from the daily hard working, the joyfulness of the good harvest, then become a celebration of religious service in the rhythm of nature, a ritual ceremony to call the spirits of the ancestral to return happily, and after that developed into a national level religious event. Naturally these “Butoh” exist everywhere in the world. It is not the unique thing that only occurred in Japan.

Then, what is the meaning of “Butoh” in nowadays? Due to the pioneer appearance of Hijikata Tatsumi/Ono Kazuo in year 1950-60, those arts expression was called avant-garde dance (ankoku butoh). After some time the “Butoh” was recognized and spreads out to the world, from then the name “ankoku” was disappeared and they started to call it “Butoh”. But I think that “ankoku” is the most important part for me. To set one foot step into the totally new area, actually it is an experiment mind for me. That is the reason why “Butoh” is defined as art. Why does the human desire for the light? I think none of them would like to live along in the darkness, neither in the society nor inside the human himself. We can only imagine the Land of Happiness, but the Hell is always in front of us. We must continuously face the darkness and death. Even if we try to ignore their appearance, with only express the existing beautifulness and dreamlike story, it will be turnout to be a poor art performance.

The “Butoh” shows that the existence of human being itself is an art. Currently we believe the harmony between the power and simplistic beauty from Europe, excessive belief to the health, the standard value of the beauty of the proportion, forced to accept the value of the commercialization of the arts. Especially the tendency is obvious in the dancing. So the “ankoku Butoh” began to pose the doubt about them. Isn’t it the “Butoh” rediscovered the human gentleness after the 2nd world war? What is the “beauty”? What is the expression come from the the unique ethnicity body/culture? These questions are the starting points of the “Butoh”. The arrogant humanism, mammonism are covered the world and begin to alienate human being itself now. The uneasiness for the human being actually is the human being itself now.

Although globalization is loudly shouted nowadays, each of us has to find our ways to solve the problems and step forward. “Avant-garde art, zen ei gei jyutsu” isn’t formed by begging hands. False or untrue gentleness and sympathy have nothing to do with “Butoh”, because everyone stands with their own foot to start to dance. And it is necessary to go through a long pupa period to become to flap like a beautiful butterfly. There is hope in the difficulty, after pass through the darkness then the light of the hope is waiting for us. While the world is facing with the political turbulences and the changes of the economy, in fact in our inner side, “Butoh” let us know that there is a boundless space surpassing the reality. The master Hijikata Tatsumi said that “the Butoh learn from nature, the body learn from the things”, I feel that is very meaningful for me. I think that the “Butoh” lives independently in the world, and from now on I will keep on thinking what is “Butoh”?

Post by Laichee (with text from Yukio Waguri)