GemArts East by North East Blog

Here is a blog highlighting a brilliant collaboration between The Syrian Kings, rappers on GemArts East by North East youth music project and Aaron Hughes, BALTIC Artists Award winner 2019.

Ahmad (19) and Hussein (18) had been in Gateshead less than one year when they began making music on ‘Dispersed Belongings’ a project delivered by Gem Arts in collaboration with Durham University and Gateshead Council Resettlement Team. Our initial sessions were based around the concept of belonging, identity and feelings of home. The young men had no previous experience of music making and we were working with an interpreter during those first few months together, exploring band work, lyric writing and percussion with GemArts music leaders Izzy and Pav.

Ahmad and Hussein were progressed on to GemArts East by North East project (funded by Youth Music) and found that they shared an interest in hip hop, and both felt passionately that music could be a powerful tool of communicating their lived experiences of the war in Syria, forced migration, love, and lost love. They continued working with music leaders Pav and Izzy, and soon began writing lyrics together and bringing new material to each session along with musical references and songs that would later inspire beats that they would create during the sessions using Logic Pro and a MIDI keyboard. Their lyrics are often in Arabic and sometimes fused with English but always reference their real, lived experiences.

During autumn 2018, internationally acclaimed artist/anti-war activist/Iraq war army veteran Aaron Hughes was selected to receive The Baltic Artist Award at The Baltic Centre for Contemporary Art. Aaron’s art focuses on the traumas of war, displacement and human connection despite pain. Aaron was interested in collaborating with local people who’ve similar experiences and was put in touch with GemArts to learn more about the creative work involving resettled Syrian youth living in Gateshead. The plan was to reimagine Wilfred Owen’s War Requiem alongside several award winning poets and music maestro, Karim Wasfi. This was an ambitious project for all of us and the beginning of The Syrian Kings journey.

The project Poetry Despite, Music Despite (Eternal War Requiem), as described by artist Aaron Hughes, aimed to reimagine and rework Wilfred Owen’s poems featuring in the War Requiem, using them starting points “to [consider] the relationship between the horrors of World War 1 and the ongoing ‘global War on Terror’.”

Although there are 13 young people who attend our music session regularly, Ahmad and Hussein are consistently keen to create new material and up until recently they were the only two in the group who considered themselves lyricists. In winter 2018 they worked hard demonstrating determination and discipline to create two pieces ‘Doomed Youth’ and ‘Permanent Stars’ for the performance with Aaron at the Baltic and decided to call their musical duo The Syrian Kings.

During the process of creating lyrics, tracks and raps for Permanent Stars in response to Wilfred Owens’s poem ‘But I was Looking at The Permanent Stars’ the group talked about what bugles represented in the war, how they were mournful and often associated with the death of soldiers. They discussed what could be used as an equivalent sound in Syria and asked the group if there was a similar instrument. They told us the sounds of ambulance sirens, radio signal, shattered glass and bombs were all the sounds the associated with the sadness and trauma of war in Syria. These sounds can all be heard throughout our track (the explosion sound became a useful tool for us to mark every 8 bars for rap verses).

Credit and Copyright ©: Colin Davison

The group resonated with the lines in the poem “Voices of boys were by the river-side. Sleep mothered them; and left the twilight sad” and have echoed this with lyrics in Arabic about ships that were supposed to keep people safe but did not, and left bodies of children on the shore.

Credit and Copyright ©: Colin Davison

Collaborating with international artists for their first performance was challenging and the thought of performing with people who you’ve never met is a daunting prospect for any musician but they worked hard and the performance was a huge success.

Aaron Hughes said on working with The Syrian Kings “Ahmad and Hussein had brilliantly related their experiences to Owen’s poems. Connecting the political situation in Syria and the lack of responsibility for the war to the needless violence of World War One. One section addressed their feelings of displacement, “ I already feel like I’ve lost my place, my hometown is gone without a trace, looking for something I can’t replace…” However, unlike Owen’s poems, Ahmed and Hussein expressed a bit of hope and determination “I’m never going back, I’m here to stay got to keep trying to find another way.”

The Syrian Kings performed their work alongside readings by Aaron Hughes, Iraqi-American poet Dunya Mikhail and Iraq War veteran poets, accompanied by Karim Wasfi who improvised cello, replacing the string sample on their tracks. They performed to the public on 15th/16^th February 2019 in the gallery where Aaron Hughes’ print exhibition was mounted.

An album (recorded live at the first performance) and accompanying booklet of music, poetry, and stories by Iraqis, refugees, and veterans was commissioned for the project. 120,000 people visited the exhibition and heard the soundtrack at BALTIC.

The opportunity to connect two emerging musicians from East by North East with internationally recognised artists was invaluable and raised the aspirations and self-esteem of The Syrian Kings. They were treated as professional artists throughout the process and experienced the empowerment of collective creative endeavour.

Credit and Copyright ©: Colin Davison

This year, The Syrian Kings have been invited to perform at multiple hiphop and spoken word events and continued to write, record and perform original material, spreading their message and raising awareness of the political situation in Syria. Hussein and Ahmad are powerful role models and nurture and encourage other young people in our music session to write and create songs that are important to them.

“I am here because I have a message. It is my responsibility to tell people what is happening in my country. I have freedom to say whatever I want and I need to use this. Syria is a beautiful place and the words come from the heart, I know that I will always want to write lyrics and make music, it is something I will carry with me my whole life now.” Hussein

Here is the music video of Permanent Stars by Syrian Kings – GemArts East by North East Youth Music project.

by Izzy Finch, EBNE Music Leader (Nov 2019)

GemArts is strutting into Summer with Masala Festival 2019!

GemArts award winning Masala Festival is back, strutting into summer like a Bengal tiger from 15-21 July 2019, as we bring you another magnificent line up of classical, traditional and contemporary artists from the UK and Indian sub-continent, exploring themes of home, belonging, freedom, resistance, luck and hope. Download your Masala Festival 2019 brochure here.

Launching on 15th July, at Sage Gateshead, with an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia.

A Musical Trio : Wajahat Khan (Sarod) during the performanvce at Tata Theatre, NCPA on 08/02/2019. Photo By : NARENDRA DANGIYA

Followed by two of the most prominent women on the contemporary jazz scene, on 16th July Zoe Rahman and Laura Macdonald.

For spoken word and poetry, look no further than Luck and Hope: an evening of poetry  with two of the best poets writing today Mona Arshi and Imtiaz Dharkar at Culture Lab, and a stellar line up of regional spoken word talent in Strictly Spoken with our partners at Arch16.

We have a fantastic line up of films this year with: heartwarming, ‘feel good’ comedy of the year Eaten by Lions following half brothers Omar and Pete on a journey of discovery via Blackpool, featuring Jonny Vegas and Jack Carroll; stunning cinematography and subdued tension with The Sweet Requiem, showing an unforgettable reflection on an ongoing and forgotten Tibetan refugee crisis and contemporary film shorts about freedom, desire and resistance in Woman.

“The Sweet Requiem” directed and produced by Ritu Sarin and Tenzing Sonam of White Crane Films, Photo by: PABLO BARTHOLOMEW Photo credit: PABLO BARTHOLOMEW All rights reserved. For permission and licensing rights: PLEASE CONTACT: pablo@bartholomew.tv Or by cellphone +91 98100 14131

Writer, performer and professional wrestling manager, Pariah Khan brings his ‘shrewd and bitingly funny’ An Indian Abroad to Northern Stage on 20th July, where we follow the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain. What will he learn about himself? And what happens when he falls in love with one of the natives?

If you want to get yourself moving, why not try out Bollywood dance,  yoga on the beach or if you are if need of a little TLC before the summer try out an introdution to Meditation.

Not to mention the amazing menu being cooked up by Dabbawal throughout the week, watch here for their menu reveal soon!!

Masala  Festival ends on Sunday 21^st July at Live Theatre’ Garden with a spectacular fun packed Mini Mela finale, with FREE South Asian arts, craft, music and dance workshops for all of the family to enjoy. This year enter a seafront arcade in a caravan with ….. Elvis’ Bingo Balls, neon, sounds of the slots and an Indian Elvis as your bingo caller! Not to mention Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes and much, much more…..

There really is something for everyone. Visit www.gemarts.org to find out more and book tickets.

Look out for our beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

Spring Summer 2019 Season Launch

We launch our Spring Summer 2019 season with another exciting concert series, featuring emerging musicians to artists whose family musical history spans five centuries, with everything from Sitar and Sufi devotional music to a re-imagined String Quartet.

This season we have a special focus on dance, showcasing incredible commissions and performances that tell those untold stories. Crackle.Dust. by Company of Others, is an unveiling of women’s resilience, inspired by women of the North. Jaivant Patel’s YAATRA shares a fresh perspective on South Asian LGBTQ+ narratives, faith and spirituality; and A Thousand Faces blends Kathak dance with physical theatre and mime, subverting the imagery of Bollywood beauty and Hollywood glamour to explore the objectification of women.

For young people and families, February welcomes the return of our popular half term Mini Mela event in Gateshead, with FREE, family arts workshops including Steel Pans, Bollywood Dancing, Chinese Arts, Persian Calligraphy and more. Come along and create your own artwork to take home.

Credit and Copyright ©: Colin Davison +44 (0)7850 609 340 colin@rosellastudios.com http://www.rosellastudios.com

Credit and Copyright ©: Colin Davison +44 (0)7850 609 340 colin@rosellastudios.com http://www.rosellastudios.com

Credit and Copyright ©: Colin Davison +44 (0)7850 609 340 colin@rosellastudios.com http://www.rosellastudios.com

Our work with young people around the region continues with diverse arts workshops in schools and communities across the region, working with pupils of all ages and abilities.

We are very proud of our young Syrian musicians, part of our EbNE project, who have been commissioned for Poetry Despite, Music Despite, part of Aaron Hughes work for BALTIC Artists’ Award 2019. Creating their own poetry and songs as a re-imagining of Wilfred Owen’s poetry using their own experiences of war, belonging and home,  they will perform at BALTIC early February.

In April, we celebrate the culmination of our East by North East youth music project with a performance event at Sage Gateshead, recognising the achievements and talents of 170 young people from across Newcastle and Gateshead who take part in our weekly music sessions.

To find out more about our upcoming programme scroll down, and to see our full Spring Summer 2019 season visit www.gemarts.org or download your copy of the brochure here: GemArts Spring Summer 2019 brochure.

Also watch out for Masala Festival updates. Masala Festival 2019 returns from July 15 – 21st.

Merry Christmas from GemArts

The end of the year is always a time for reflection, and across GemArts performance and participation programme, we are reminded of all of the wonderful artists, communities, audiences, volunteers, partners and funders we have worked with in 2018.  We would like to thank every one of them for continuing to support our work in so many ways.
 
Although each and every performance and project has their highlights, we have picked a few below to show some of the work we have done this year. I hope you enjoy looking back at GemArts 2018 year, where we have supported the best and brightest artistic talent, both emerging and established artists from the UK and abroad; continued to champion creativity and diversity; and have offered unique cultural experiences, to people of all ages and backgrounds, enabling exceptional opportunities to participate in diverse music, dance, literature and visual arts.
 

Masala Festival – following last year’s Journal Culture Arts Council Award win, we were proud to be a finalist this year for the Best Event Tyneside for Masala Festival, which returned for the third time in 2018 and celebrated an outstanding selection of artists and producers from the North of England, a fantastic range of South Asian art forms from poetry, dance and film to jazz and classical music, family fun days to amazing new visual arts commissions, including a new sculpture created by robotic arm! Keep an eye out for Masala Festival 2019!

 

GemArts Riverside Ragas continues to present the very best of raag based music concerts alongside informative pre-concert talks, masterclasses and demonstrations. 2018 featured some of the finest musicians from the UK and India: Shreya Devnath, Arnab Chakrabarty with Talvin Singh, Shashank Subramanyam, ONE (ensemble of Vainikas), Purbayan Chaterjee with Gurdain Rayatt, Jasdeep Singh Degun and ended with an incredible premier of Simon Thacker’s Svara Kanti’s new album Trikala. We have an incredible line up for you in Spring Summer 2019 check out our website for our programme announcement early January.

Jasdeep Singh Degun

Every year we work with thousands of people on participatory projects, making diverse arts opportunities accessible to all. In April this year, we worked alongside  Durham County Council and schools across Durham, Stockton and Hartlepool, to mark the Commonwealth Heads of Government Meeting, delivering cultural arts activities that celebrated the 53 nations, including Steel Pans, Indian Dance, Sri Lankan, Indian and Malaysian visual arts, African Drumming and Storytelling. On the 25th April, 1000 young people processed through Durham city centre to the cathedral to take part in a special service to mark the event.

In the centenary year of the Representation of the People Act, GemArts were invited to be part of PROCESSIONS, a UK-wide mass participation artwork to mark 100 years of women’s suffrage, produced by Artichoke and commissioned by 14-18 NOW, based on an idea by Darrell Vydelingum.

Our Feel Good group created a banner that represented what the vote means to them, what it is like being a women in the UK today, highlighting their past, present and their hopes for the future. On 10th of June, the group processed through Edinburgh, proudly showcasing their banner, with thousands of other women and girls across the UK. Wearing either green, white or violet, the colours of the suffragette movement, the PROCESSIONS appeared as a flowing river of colour through the city streets.

October saw the launch of our new film #endmatecrime for National Hate Crime week. The film was made by participants from The Gateshead Housing Company’s customer led Equality, Diversity and Inclusion Group and charity Changing Lives. Through creative arts sessions, working with our artist Tommy Anderson, participants created a series of hard hitting artwork, that have been designed into postcards, a poster and an animation film featuring real-life personal stories of victims of mate crime in Gateshead. You can watch the film here.

Our Arts, Health and Wellbeing strand continues to work with communities across Gateshead and Newcastle using creative engagement to address isolation and loneliness. This year we have worked alongside Gateshead Council to embed the Making Every Contact Count (MECC) approach, offering training to artists, staff and volunteers to support our creative practise.

Our flagship East by North East youth music project, now in it’s 5th year, engages with 177 young people on a weekly basis. Young people from diverse communities, living in challenging circumstances, take part in a wide range of musical genres. The project is committed to supporting a diverse music workforce ensuring gender equality across the programme.

You can find out more about our work on our website www.gemarts.org

On behalf of everyone at GemArts and GVEMSG, we would like to thank you for your continued support, and wish you a very Merry Christmas, and all the best for a happy, healthy and peaceful New Year.

 

GemArts East by North East – Blog by music leader Izzy Finch (Nov 2018)

Here is a blog by Izzy Finch, who is one of our music leaders on GemArts’ Youth Music funded East by North East music project.  Izzy gives fantastic insight into working with young people from Syrian communities living in Gateshead to develop their musical and life skills, whilst providing a safe space for young people’s voices to be heard, develop leadership skills and for them to be empowered.   

As project musicians, Pav and I first developed a relationship with members of this group when they had been in Gateshead less than one year whilst working on GemArts’ Dispersed Belongings project in collaboration with Durham University. Our initial sessions were based around the concept of belonging, identity and feelings of home. The participants had no previous experience of music making and we were working with an interpreter. During those early sessions we talked a lot about identity and I realised that there is a complexity of emotions surrounding belonging for most of the participants as there have been interim homes between Syria and Gateshead. Working on this project has changed my perception of not only belonging, home, identity but the value of music as a tool for discussion.

I am comfortable knowing that over time we created an environment where the participants developed trust and were invested enough to talk in depth about their aspirations for the project and were given a platform to write songs about things that were important to them. I think sometimes there is a fear when working as a music practitioner with marginalised communities that our own agenda/ expectations will interfere with the creative hopes and dreams of young people. We were careful to navigate a balance between guiding and leading, making sure participants were not exploited with the content of what they write about.

One of the first songs the group wrote is titled Syria. The lyrics to the song describe the country as their mother and Aleppo as their blood. It is a love letter to Syria. In the very beginning when we first started working together I facilitated an exercise where participants would describe colours, sounds, sights and smells of home or a significant memory. The group seemed unsure at first but soon everyone was writing in Arabic and absorbed in the task. I hadn’t prepared myself for how emotionally raw the content would be having elicited those feelings. I realised afterwards that I had expected the content to be about dislocated items or events but instead we uncovered that there is still a strong and prevalent sense of belonging to Syria and that this is something that the young people want to share and write about. One member said “I want to deliver a message to the people here about the situation in Syria” and continues to bring new lyrics in each week exploring this.

Sometimes a song idea will begin with a young person showing the group a song they like and we will begin talking about what aspects of that we like and what we will use as inspiration to create an original piece. For one song, we used Eminem- Stan as inspiration, and sampled the sound of rain to evoke emotion and used the structure of Eminem’s hit as a template with Arabic verses poetically describing a lost love and a chorus in English featuring female vocals working as a call and response.

Our session structure changes depending on the ideas of the young people. Sometimes we all have an instrument and work as a band collectively, and other times we will use a MIDI controller and laptop to make electronic beats that vocalists want to put lyrics and a melody to. Within the current group, there are multiple song writers and the participants are self-motivated when it comes to organising their time within the session. For example, if we worked on one member’s song the previous week, they will talk amongst themselves and decide fairly that it is someone else’s turn to have their song rehearsed. New members are always welcomed and encouraged by the group to suggest ideas or lead a rehearsal. Lyrics are often in Arabic and sometimes have an English chorus with themes around the war in Syria, politics, nostalgia, love, lost love and friendship.

This year the core group are brimming with confidence and creativity. The sessions are very much participant led and we are preparing for a performance in a few months and introducing Arts Award. The group enjoy sharing and communicating their ideas in English, we rarely use the interpreter although sometimes we need one to translate lyrics and help with meaning but I l love that Arabic lyrics are a constant thread in everything we create. If new members come along and are struggling to speak English or understand what we are doing, the group enjoy interpreting and helping each other articulate their ideas.

It is a pleasure to be able to work with these young people and help them achieve self-belief and provide a creative outlet. I feel that this project has demonstrated the capacity Gem Arts have to meet the growing needs of marginalised groups within the North East.

East by North East is a Youth Music funded project led by GemArts. Building on the success of previous projects, during this third phase, we have expanded the prorgramme to provide more opportunities for professional musicians and young people living in challenging circumstances from BAMER and wider communities across Newcastle and Gateshead to work with one another, sustaining high quality music making regionally, and addressing community needs and issues.  A key element of the programme is to further diversify the music skills and workforce of music practitioners in the North East through offering CPD, training, peer to peer development and mentoring.

https://gemarts.org/projects/116/east-by-north-east

My week with GemArts Masala Festival

GemArts recently hosted a student placement, Liam Scarth, who helped during the planning, delivery and evaluation of GemArts Masala Festival in July 2016. Liam, a 2^nd year BA Acting Community Theatre student at East 15 Drama School in Southend, identified GemArts as an organisation he would like to work with as part of a placement module within his degree course. Listing his main passions as teaching, working with younger people and bringing communities together, Liam was the perfect fit for a placement with GemArts, and he contributed a great deal to the team during an exciting and busy 3 weeks with us. Before completing his placement Liam wrote this great review of GemArts Masala Festival which we’re delighted to share with you.

For one week Gateshead and Newcastle became a melting pot of cultural activity, as GemArts served up a delectable dish which they had been cooking up for some time. The festival recipe started with a good dollop of inspiring short film, next they poured in a hearty helping of musical artistry, a dash of perfectly palatable poetry, a sprinkle of elating exhibitions, a good handful of performance art, seasoned with wonderful workshops and topped off with a sensational finale. The temperature was set to that of an Indian summer, and then GemArts served up the mouth-watering Masala Festival to a culture-hungry public.

Masala Festival launched on the 11^th July with ALIVE! a ground-breaking evening of short films curated by independent producer Bobby Tiwana. ALIVE! celebrated being South Asian and lesbian, gay, bisexual or transgender. The beautifully selected, and composed films touched on universal themes such as that awkward first kiss, or the loss of childhood innocence, along with more individual experiences such as dealing with certain stigmas, and stories of hope. It had such a profound effect on people it raised heated debates in the Q and A. What is my identity? How do we find a place of belonging? Rousing speeches from the panel provided new ideas and thoughts for the audience to take home.

 

The festival barrelled on with two mind blowing musical performances; Manjula, a Leeds-based band mixing sounds from across the globe, and Shri Sriram with new project Just a Vibration, where Indian Ragas met British Brass Band. On subsequent nights these two groups had the power to transport you to new continents. One moment I was in a Newcastle or Gateshead venue, the next I was bathing in the heat of the sun, in a South Indian garden. Audiences sat humbled, soaking in the rich melodies.

Masala Festival also introduced us to the varied work of three prolific poets. Identity, politics and mythology; were our themes for the evening. Moniza Alvi, Amali Rodrigo and Arundhathi Subramaniam, although under the same publisher; BloodAxe Books, all had their own take on the themes. The audience came together to listen to poets describing vast journeys, spiritual awakenings, and cultural norms. With every word I understood a little more of countries over the water, and with every hour during the festival I grew fonder of our varied world.

There were also plenty of chances to get your hands into the mixing bowl and take part in Masala Festival yourself. Poet Arundhathi gave an enlightening workshop at Culture Lab before her reading. Artist Emma Sheridan worked with primary schools in the local area, introducing them to beautiful Indian visual arts. Emma inspired children in one school to create bright, colourful silk paintings based on the tale of The Magic Fish. These then filled the sky, on flags and banners, for the Mini Mela finale. Yoga sessions were available to those who wanted to embody the true spirit of South Asia, and DOGA (Yoga for you and wor pooch!) added a quirky extra. For the more energetic few, Bollywood Dance offered people the opportunity to get their booty on the dance floor, or Trinity Square floor!

 

For a real taste of South Asia, Ury Restaurant’s cooking demonstrations shared Keralan cuisine secrets. For those who prefer to skip the cooking but enjoy the eating, Ury Restaurant also provided delicious food at the Mini Mela finale on the Sunday. No one missed out at this festival, all were catered for!

GemArts had yet more treats up their sleeve, as Turbanism a photography exhibition opened in Gateshead Central Library. Photographer Rehmat Rayatt travelled to Rajasthan to document the world of the Turban, and the unfortunate demise of the turban culture. The exhibition didn’t create a feeling of demise, as vibrant colours sprang from the frames, filling the gallery with majestic shades of orange, red, purple and yellow. Alongside the photographs, a selection of turbans sat patiently on display. Upstairs continued on a more personal storyline with images documenting her grandfathers’ love for photography and their family’s migration.

On Saturday Sage Gateshead became the host to India’s sacred arts as The Monks of Majuli, gave audience members a once in a life time opportunity. This was the Monks first visit to Britain, and Gateshead was their final stop on a month long tour. In the pre-show discussion, we were enlightened to Georgie Pope’s PhD work and the pilgrimage of the Monks to see their sacred Assamese tapestry in the British Museum. Drumming, dancing, singing, acting, costume were all elements of the performance offering. All audience members were truly awe stricken by the event. After giving a standing ovation, and wiping some joyful tears from their eyes, audience members left in bright chatter and all in agreement they had witnessed something truly special.

GemArts managed to top off this jam packed week very successfully. The Mini Mela brought the new Live Garden to life on the final Sunday of the festival. With the Newcastle Quayside Market bustling not far away it felt like the perfect day for Sunday celebrations with people from all backgrounds gathered in the sunshine. GemArts filled the garden with free arts activity for all ages, punters could choose from: face painting, henna art, Rangoli art, kite making, elephant model making, sculpture painting or to browse the wares of local jewellery makers. Indoor workshops offered a chance to find your rhythm with Dhol drumming, Bollywood Dance and mini movers classes. At 11am and 2:30pm the square exploded into bright colours and sound as the Dhol drum dropped a beat for local dancers to throw some Bollywood shapes. They were followed by a procession of banners, flags and sculptures held by the eager, paint covered hands of local bairns, all on their way to watch the performance of The Magic Fish. ATMA Dance Company adapted the story of Vishnu, where he comes to save the Earth from the demon No-Knowledge. With a powerful, invigorating and uplifting message, young and old alike went away with a spring in their step.

 

So there you have it, a mix and blend of the finest South Asian arts and culture squeezed into this review. GemArts Masala Festival served up a vision of South Asian culture today, and with plans for an even bigger and tastier celebration next year, to mark the 70^th Anniversary of India’s Independence, I think we all better settle down, tuck in our napkins and get ready to chow down on some more wholesome worldly experiences.

Written by Liam Scarth, student Placement with GemArts between 4^th July and 22^nd July 2016

Images: GemArts Masala Festival credit Anna Miller